I rely on a trailer and reviews found on the network to get closer to a movie last night that sent my heart and my tear glands into a tailspin. I tried, I swear, I tried to write anything that could even resemble a comment, but I do not think to live up to. The only thing I can say is, if you have not already done so, to go see this masterpiece of our cinema. In defiance of the Germans, that they are all envious.
The film, "delicate" and "touching" was directed by Antonello Grimaldi ("A crime impossible," 2000), based on a screenplay by Francesco Piccolo ( "Days and Clouds", 2007), Laura Paolucci ("The event horizon", 2005) and the same Nanni Moretti, who also appears as an actor. The story is essentially inner experience, hence the undeniable difficulties of making it on the screen.
summer the manager Pietro Paladini (Moretti: "I am a self-sufficient," 1976; "Bianca," 1984; "Palombella Rossa", 1989, etc..) And his brother Carlo (Alessandro Gassman: "The turkish bath - Hamam, 1997) are found by chance at having to save two unknown women who are at risk of drowning at sea. The same day, just returned home, Peter finds his wife Lara died, which necessarily disrupts his life, especially because it is to deal alone with the education, growth and problems of his daughter Claudia (l ' newcomer Blu Yoshimi), a ten-year-old in fifth grade and that, while apparently giving no signs of serious disorders following the death of mother, is inevitably forced to carry within themselves a burden too big for his age, the balance of the child is hanging by a thread and not only his, as his father, all too aware of the delicacy of the situation, he felt the duty (for her), but the need (for him), to cover it with attention and can compensate for the absence of the mother. In doing so, Peter gives to relatives, colleagues and acquaintances more concerns than it confers on the small Claudia: In fact, his decision to desert the work, ignore all (in particular of an impending merger between two companies) and give up a coveted job position, to pass Instead the whole day in the garden under the school of her daughter, waiting for the bell or a glimpse of Claudia at the window, on the one hand creates loops in piety, understanding, solidarity, admiration, esteem, on the other those who knew him in perplexity, anxiety, concern, desire to help him get out of that condition. After all, life in the park are less boring than you might imagine, every morning going through the same people who tend to be almost complete strangers to become friends or at least points of reference to cling to, or more often cling to Peter, as was the centerpiece of a microcosm of everyday ritual and ritual gestures. The park thus catalyzes the various characters: Simoncini Eleonora (Isabella Ferrari: "A Taste of the Sea", 1982), the rich lady saved by Peter in the water, which will have an unrestrained intercourse with the final call, his secretary Anna (the nostrana Alba Rohrwacher increasingly launched in the film "My Brother is an Only Child," 2007; "Days and Clouds," 2007; "Heartache", 2008), Mr Sam (the always good Silvio Orlando: "The bag man", 1991) 's friend and colleague, Jean Claude (Hippolyte Girardot, "Love suspicion", 2005), licensed from, and even the great businessman Steiner (Roman Polanski's "Tess", 1979), jealous of Eleanor, the airhead sister his wife (the original Valeria Golino, the envy of fellow Scamarcio: "Breath", 2002), Jolanda (Kasia Smutniak: "Thirteen at the table", 2004), a girl who walked the dog, always following the same path, the classmates of child, parents, teachers, a mother with a child "differently abled".
The overall picture that emerges is at least original, delicate, deep, intense and touching, thanks to the performance of the protagonist Moretti, who finally returns to the screen by a film actor with more comprehensive, in the wake of "The Son's Room "(2000), abandoning the narrow (though pleasant, engaged and politically incorrect) horizons of the first film, which trapped in the role always equal to himself, sewn to measure and not to export abroad. In this case, however, Nanni actor manages to keep under the lines, not to overdo it, not to become the usual caricature of himself, hitting the target and thus creating a moving family tragedy and human, universal key for the mourners who knows how to touch and appreciated everywhere in Europe and worldwide. Between the first and last Moretti is apparent as the difference between the first and Benigni Roberto Benigni "La vita รจ bella", and it is true in both cases some progress over time, although there is much more to shaping and improving terms of acting, a great first step, however, has been made since 2000 both came out - so to speak - their "backyard" (and "backyard"!) to take part in more comprehensive works. As for the letter of the CEI (Italian Episcopal Conference), who criticizes the final sex scene in the film because it was too heavy and thrust, it is worth mentioning the right answer Procacci producer: "The letter speaks for itself", since when in fact a producer, director, actor or actress must be accountable for their actions to the CEI? The protagonist of the scene and the director discussed the need to support the hub within the thematic structure of the plot and probably does, but even if they do not, only this account or if the scene is justified / justifiable or not within its filmic context: everything else is boring ... and the reference is to censorship of any kind (ideological, political, moral and religious).
The film (112 min.), The drama, the novel by Sandro Veronesi (Bompiani), was produced in Italy in 2007 and released in theaters by 2001 from 8 February 2008 Distribution. The decision of the criticism is good (three stars out of five), and in fact it is a deep and intense film, to see at least for the scene of despair lonely Moretti (grade 7). Paolo Mereghetti, for "Il Corriere della Sera", writes: "(...) Moretti shows all-round actor. (...) Alessandro Gassman as his brother as a happy odd couple with Moretti, Valeria Golino gives the impression that it could be that her body to give the sister of Paladini, messed up, emotional and unsettling. What , quite simply, they say a good movie . "Nevertheless, in Berlin the German criticism is divided: there are those who advised the Italians to deal with things better suited to their character (pasta, for example) and give up the cinema.
The film, "delicate" and "touching" was directed by Antonello Grimaldi ("A crime impossible," 2000), based on a screenplay by Francesco Piccolo ( "Days and Clouds", 2007), Laura Paolucci ("The event horizon", 2005) and the same Nanni Moretti, who also appears as an actor. The story is essentially inner experience, hence the undeniable difficulties of making it on the screen.
summer the manager Pietro Paladini (Moretti: "I am a self-sufficient," 1976; "Bianca," 1984; "Palombella Rossa", 1989, etc..) And his brother Carlo (Alessandro Gassman: "The turkish bath - Hamam, 1997) are found by chance at having to save two unknown women who are at risk of drowning at sea. The same day, just returned home, Peter finds his wife Lara died, which necessarily disrupts his life, especially because it is to deal alone with the education, growth and problems of his daughter Claudia (l ' newcomer Blu Yoshimi), a ten-year-old in fifth grade and that, while apparently giving no signs of serious disorders following the death of mother, is inevitably forced to carry within themselves a burden too big for his age, the balance of the child is hanging by a thread and not only his, as his father, all too aware of the delicacy of the situation, he felt the duty (for her), but the need (for him), to cover it with attention and can compensate for the absence of the mother. In doing so, Peter gives to relatives, colleagues and acquaintances more concerns than it confers on the small Claudia: In fact, his decision to desert the work, ignore all (in particular of an impending merger between two companies) and give up a coveted job position, to pass Instead the whole day in the garden under the school of her daughter, waiting for the bell or a glimpse of Claudia at the window, on the one hand creates loops in piety, understanding, solidarity, admiration, esteem, on the other those who knew him in perplexity, anxiety, concern, desire to help him get out of that condition. After all, life in the park are less boring than you might imagine, every morning going through the same people who tend to be almost complete strangers to become friends or at least points of reference to cling to, or more often cling to Peter, as was the centerpiece of a microcosm of everyday ritual and ritual gestures. The park thus catalyzes the various characters: Simoncini Eleonora (Isabella Ferrari: "A Taste of the Sea", 1982), the rich lady saved by Peter in the water, which will have an unrestrained intercourse with the final call, his secretary Anna (the nostrana Alba Rohrwacher increasingly launched in the film "My Brother is an Only Child," 2007; "Days and Clouds," 2007; "Heartache", 2008), Mr Sam (the always good Silvio Orlando: "The bag man", 1991) 's friend and colleague, Jean Claude (Hippolyte Girardot, "Love suspicion", 2005), licensed from, and even the great businessman Steiner (Roman Polanski's "Tess", 1979), jealous of Eleanor, the airhead sister his wife (the original Valeria Golino, the envy of fellow Scamarcio: "Breath", 2002), Jolanda (Kasia Smutniak: "Thirteen at the table", 2004), a girl who walked the dog, always following the same path, the classmates of child, parents, teachers, a mother with a child "differently abled".
The overall picture that emerges is at least original, delicate, deep, intense and touching, thanks to the performance of the protagonist Moretti, who finally returns to the screen by a film actor with more comprehensive, in the wake of "The Son's Room "(2000), abandoning the narrow (though pleasant, engaged and politically incorrect) horizons of the first film, which trapped in the role always equal to himself, sewn to measure and not to export abroad. In this case, however, Nanni actor manages to keep under the lines, not to overdo it, not to become the usual caricature of himself, hitting the target and thus creating a moving family tragedy and human, universal key for the mourners who knows how to touch and appreciated everywhere in Europe and worldwide. Between the first and last Moretti is apparent as the difference between the first and Benigni Roberto Benigni "La vita รจ bella", and it is true in both cases some progress over time, although there is much more to shaping and improving terms of acting, a great first step, however, has been made since 2000 both came out - so to speak - their "backyard" (and "backyard"!) to take part in more comprehensive works. As for the letter of the CEI (Italian Episcopal Conference), who criticizes the final sex scene in the film because it was too heavy and thrust, it is worth mentioning the right answer Procacci producer: "The letter speaks for itself", since when in fact a producer, director, actor or actress must be accountable for their actions to the CEI? The protagonist of the scene and the director discussed the need to support the hub within the thematic structure of the plot and probably does, but even if they do not, only this account or if the scene is justified / justifiable or not within its filmic context: everything else is boring ... and the reference is to censorship of any kind (ideological, political, moral and religious).
The film (112 min.), The drama, the novel by Sandro Veronesi (Bompiani), was produced in Italy in 2007 and released in theaters by 2001 from 8 February 2008 Distribution. The decision of the criticism is good (three stars out of five), and in fact it is a deep and intense film, to see at least for the scene of despair lonely Moretti (grade 7). Paolo Mereghetti, for "Il Corriere della Sera", writes: "(...) Moretti shows all-round actor. (...) Alessandro Gassman as his brother as a happy odd couple with Moretti, Valeria Golino gives the impression that it could be that her body to give the sister of Paladini, messed up, emotional and unsettling. What , quite simply, they say a good movie . "Nevertheless, in Berlin the German criticism is divided: there are those who advised the Italians to deal with things better suited to their character (pasta, for example) and give up the cinema.
Review by David Borrello.
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